For
TV, black is the new green
Three
African-American-focused nets bow, with more on horizon
By Paige Albiniak
BET
ordered a second season of romantic comedy 'Let's Stay
Together,' about the relationships of five African
Americans, following the network's success with UPN
'Girlfriends' spinoff 'The Game.'
A
convergence of timing and opportunity are about to bring
BET and TV One plenty of company in the black TV universe.
Four new
African-American-focused networks are in the process of
launching, with Bounce TV already online and Magic
Johnson's Aspire planning to premiere this summer. Soul of
the South, a regional network, is busy clearing affiliates.
Sean Comb's Revolt, with a focus on music and pop culture,
plans to be on the air in 2013.
One of the reasons for the influx is due to the terms of
Comcast's acquisition of NBCUniversal in January 2011. To
complete the transaction, Comcast made a deal with the FCC
and the Dept. of Justice to launch 10 minority-owned
channels over the following eight years. The first four
include Aspire and Revolt, as well as two networks targeted
at Latinos.
Last September, a coalition led by Martin Luther King III
launched Bounce TV. That network is carried on digital
tiers by Fox affiliates and other TV stations covering 60%
of the country and 75% of African-American households. Soul
of the South, also is seeking clearances on digital tiers,
focusing its distribution in the Southeast and Northern
cities that have large black populations, with a goal to
bow on at least 50 stations in a two-wave platform.
"We plan to launch in two phases of 25 stations each, and
it could be a bit more than that," says Edwin Avent, Soul
of the South's CEO. The first phase will launch this
spring, and the second will be in late summer or early
fall, Avent says.
Aspire, which Comcast announced late last year, is slated
to launch on its cable systems this summer, and will
partner with GMC (formerly the Gospel Music Channel, and a
minority partner in the venture) on back-office operations,
such as marketing and sales. Aspire will be based in
Atlanta next to GMC so the two can share services, but
Aspire is owned and operated, and is the vision of Magic
Johnson Enterprises, says Brad Siegel, vice chairman of
GMC.
Revolt execs declined to be interviewed, maintaining they
are yet too early in the process of building the net.
Since local stations have digital spectrum to fill, now
seems like the right time to launch new channels. The four
networks will join the two major players in black TV: BET
and TV One, and those networks' digital siblings, Centric
(a mix of interview- and music-driven shows, movies and
library titles like "The Cosby Show") and TV One High Def.
Siegel says the black audience is particularly underserved,
given its viewing habits.
"African Americans spend more time watching television than
any other group," he says.. "I think that part of (the
reason these audiences were underserved) is that networks
and producers felt that African-Americans were happy or
satisfied with general-market television and didn't feel
that their interests and tastes included any special needs,
which I think to a large degree was not correct."
Moreover, the black marketplace is large, with money to
spend. According to the 2010 U.S. Census, African Americans
compose 13.6% (or 42 million people) of the U.S.
population. It's a group that has $836 billion in buying
power, reports Target Market News, a publication that
covers the black media marketplace. The black population in
the U.S. is growing, but slowly: It's expected to increase
to 15% of the population by 2050.
In recent years, media companies have focused more on
Latinos who, at 50.5 million people, make up 16.3% of the
U.S. population, a number that is expected to grow to 30%
by 2050, according to the 2010 U.S. Census. Still, with
nearly $1 trillion of spending power behind them, African
Americans also have caught media companies' notice.
"There are four cable networks serving 42 million African
Americans, but there are 75 cable networks targeted at
serving 50 million Hispanics," says Eric Holoman, president
of Magic Johnson Enterprises and chief operating officer of
Aspire. "People fold African Americans into the
general-market audience." While Hispanic networks are
naturally more prevalent due to language considerations,
black networks aim to bridge a cultural gap.
"Since last September, we've done several focus groups, and
what people told us they thought was missing in the
marketplace was positive family entertainment for African
Americans, content that both children and parents can watch
together," Holoman says.
That's also been the finding of the established black
networks, BET and TV One. Both networks have made moves in
that direction, although each is going about it a little
differently.
BET -- the veteran by a longshot, with 32 years under its
belt, and the top cabler among 18-to-49-year-old
African-Americans for the past 12 years -- has had
breakthrough success over the past two seasons with its
acquisition of "The Game," a black sitcom that the CW
dropped in May 2009.
While the show, a spinoff of UPN's "Girlfriends" featuring
a group of women who date professional football players,
may not exactly be family fare, it set basic cable records
with a debut audience of nearly 8 million viewers when it
premiered new episodes on BET in January 2011, after having
aired on the network in syndication since February 2009.
"This was a true case of audience demand," says Matthew
Barnhill, BET's executive vice president of corporate
research. "Our audience literally demanded we pick up 'The
Game' after the CW dropped it."
That move has given BET the incentive to add more original
laffers."Let's Stay Together," a romantic comedy about the
relationships of five young African Americans, premiered
with "The Game" in January 2011 to 4.4 million viewers, and
is back for a second season. In October, BET launched "Reed
Between the Lines," starring Malcolm Jamal-Warner and
Tracee Ellis-Ross, and renewed it for a second season in
April. At this year's upfronts, BET will be announcing more
moves into original scripted dramas and movies, Barnhill
says.
TV One, which has been in business for eight years, also is
adding originals, but it's focusing on crime and justice as
well as sitcoms, says Wonya Lucas, TV One's president, who
joined the network eight months ago from Investigation
Discovery.
"We are going into categories that typically attract
African Americans on other networks," Lucas says. "African
Americans are very interested in the Trayvon Martin case
right now, and they watch a lot of 'CSI' and 'Law &
Order.'"
To that end, TV One will launch "Unresolved: Celebrity
Cases" in the fourth quarter of this year, and it's
returning series "Find Our Missing," hosted by "Law &
Order's" S. Epatha Merkerson.
TV One also is dipping its toe into original sitcoms. Three
are in development for next year: "The Rickey Smiley Show,"
starring the radio personality playing a character that's a
lot like him; "Belles," set in an upscale soul food
restaurant; and "Church Folk," about a family forced to
leave their mega-church in Los Angeles and return to the
South.
Of the new networks, Bounce is the most established, and
has launched with a mix of acquired series, such as "Fat
Albert and the Cosby Kids," "Soul Train" and "Judge
Hatchett"; classic movies, such as "Glory," "The Wiz,"
"Mahogany" and "Do the Right Thing"; and sports --
specifically football and basketball -- from historically
black colleges and universities. Bounce also would like to
get into the boxing business, says Ryan Glover, the
network's president.
Bounce expects to head into original programming this year,
with efficiently produced series such as videoclip shows,
standup comedy, sketch shows and musicvideo programs.
"Our plan is to stick with the formats that we know, attach
great talent to those ideas and produce them in a smart and
compelling way that we know will work for our audience,"
Glover says. "We aren't going out and creating scripted
dramas or scripted sitcoms at the moment. Those are costly
and difficult to produce."
Bounce has started the process of being Nielsen-rated
nationally, but numbers are not yet available.
Aspire has a gameplan that aims to feature economically
produced originals, with nights dedicated to different
genres: independent and short films and documentaries;
major Hollywood features; musicvideos, performances and
documentaries; sitcoms; and the arts, such as theater and
dance, Siegel says. Each night will be hosted by a
celebrity. Many of the network's programming announcements
will come in the next few weeks, Holoman says.
Finally, Soul of the South plans to program its network
like a local TV station, only aimed at a black audience.
"We think there's a 25-54 audience seeking programming that
speaks to their needs on an everyday basis," Avent says.
Still, all of these new networks may want to heed the words
of Oprah Winfrey, who is finding the launch of another new
network -- OWN, the Oprah Winfrey Network -- far more
difficult than she expected.
"The idea of creating a network was something that I wanted
to do," Winfrey recently told Gayle King, the new co-host
of CBS' "The Early Show" and Winfrey's longtime best
friend. "Had I known that it was this difficult, I might
have done something else."
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